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later invention

  • 1 later invention

    пат. более позднее изобретение (изобретение, созданное данным изобретателем позже, чем другим; на такое изобретение нельзя получить патент)
    Ant:

    Англо-русский экономический словарь > later invention

  • 2 later invention

    Универсальный англо-русский словарь > later invention

  • 3 later invention

    Patent terms dictionary > later invention

  • 4 invention

    - invention in contemplation
    - invention made in common
    - invention reduced to practice
    - hide the invention
    - invention of application
    - invention of no avail
    - abandoned invention
    - accidental invention
    - actual invention
    - additional invention
    - AEC contract invention
    - aggregative invention
    - alleged invention
    - atomic energy invention
    - basic invention
    - biotechnological invention
    - broad invention
    - chemical invention
    - claimed invention
    - cognate inventions
    - combination invention
    - communicated inventions
    - company's invention
    - competing invention
    - complete invention
    - contemplated invention
    - dead wood invention
    - declassified invention
    - defense invention
    - defensive invention
    - dependent invention
    - derived invention
    - design invention
    - developing invention
    - disclosed invention
    - distinct invention
    - domestic invention
    - economic invention
    - efficiency promoting invention
    - employee's invention
    - epoch-making invention
    - finished invention
    - foreign invention
    - fraudulent invention
    - free invention
    - frivolous invention
    - fully disclosed invention
    - fundamental invention
    - gene-based invention
    - generic invention
    - home invention
    - immature invention
    - imperfect invention
    - incidental invention
    - incomplete invention
    - independent invention
    - individual invention
    - ineffective invention
    - injurious invention
    - interfering invention
    - joint invention
    - labor saving invention
    - later invention
    - main invention under the PCT
    - method invention
    - military invention
    - narrow invention
    - new invention
    - novel invention
    - obvious invention
    - ordinary invention
    - original invention
    - outsider's invention
    - paper invention
    - patentable invention
    - patented invention
    - pioneer invention
    - pioneering invention
    - practical invention
    - practically operative invention
    - prior invention
    - process invention
    - proposed invention
    - protected invention
    - purported invention
    - recognized invention
    - recommended invention
    - registered invention
    - revolutionizing invention
    - scandalous invention
    - secret invention
    - service invention
    - simple invention
    - specific invention
    - subordinate invention
    - supplementary invention
    - supposed invention
    - trivial invention
    - unfinished invention
    - unobvious invention
    - unpatentable invention
    - unpatented invention
    - unrealizable invention
    - useful invention
    - utility invention
    - vicious invention
    - works invention
    - worthless invention
    * * *
    изобретение (решение технической задачи, обладающее новизной и дающее положительный эффект)

    Patent terms dictionary > invention

  • 5 invention

    сущ.
    1) общ. открытие, изобретение (установление неизвестных ранее объективно существующих закономерностей или явлений окружающего мира, а также способов организации материи или человеческой деятельности для получения какого-л. практического результата)
    Syn:
    See:
    2) пат. изобретение (новое техническое решение задачи, поднимающее существующий уровень техники)
    See:

    Англо-русский экономический словарь > invention

  • 6 более позднее изобретение

    Русско-английский словарь по патентам и товарным знакам > более позднее изобретение

  • 7 более позднее изобретение

    Универсальный русско-английский словарь > более позднее изобретение

  • 8 Niflungar

    n. pl. the Niebelungen, of the Germ. tales; the older form hniflungar (q. v.) shews that the word cannot be derived from nifl; the derivation in Edda 104, 105 (from king Nefir) is fanciful, and a later invention; hodd Niflunga (hniflunga?) = Nibelungen hort, Akv.; Niflunga skattr, id.; Niflunga arfr, id., Bm.

    Íslensk-ensk orðabók > Niflungar

  • 9 adeo

    1.
    ăd-ĕo, ĭī, and rarely īvi, ĭtum (arch. adirier for adiri, Enn. Rib. Trag. p. 59), 4, v. n. and a. (acc. to Paul. ex Fest. should be accented a/deo; v. Fest. s. v. adeo, p. 19 Müll.; cf. the foll. word), to go to or approach a person or thing (syn.: accedo, aggredior, advenio, appeto).
    I.
    Lit.
    A.
    In gen., constr.
    (α).
    With ad (very freq.): sed tibi cautim est adeundum ad virum, Att. ap. Non. 512, 10:

    neque eum ad me adire neque me magni pendere visu'st,

    Plaut. Cur. 2, 2, 12:

    adeamne ad eam?

    Ter. And. 4, 1, 15; id. Eun. 3, 5, 30: aut ad consules aut ad te aut ad Brutum adissent, Cic. Fragm. ap. Non. 208, 5:

    ad M. Bibulum adierunt, id. Fragm. ap. Arus. p. 213 Lind.: ad aedis nostras nusquam adiit,

    Plaut. Aul. 1, 1, 24:

    adibam ad istum fundum,

    Cic. Caec. 29 —
    (β).
    With in: priusquam Romam atque in horum conventum adiretis, Cic. Verr. 2, 4, 11, § 26 ed. Halm.—Esp.: adire in jus, to go to law:

    cum ad praetorem in jus adissemus,

    Cic. Verr. 4, § 147; id. Att. 11, 24; Caes. B. C. 1, 87, and in the Plebiscit. de Thermens. lin. 42: QVO DE EA RE IN IOVS ADITVM ERIT, cf. Dirks., Versuche S. p. 193.—
    (γ).
    Absol.:

    adeunt, consistunt, copulantur dexteras,

    Plaut. Aul. 1, 2, 38:

    eccum video: adibo,

    Ter. Eun. 5, 7, 5.—
    (δ).
    With acc.:

    ne Stygeos adeam non libera manes,

    Ov. M. 13, 465:

    voces aetherias adiere domos,

    Sil. 6, 253:

    castrorum vias,

    Tac. A. 2, 13:

    municipia,

    id. ib. 39:

    provinciam,

    Suet. Aug. 47:

    non poterant adire eum,

    Vulg. Luc. 8, 19:

    Graios sales carmine patrio,

    to attain to, Verg. Cat. 11, 62; so with latter supine:

    planioribus aditu locis,

    places easier to approach, Liv. 1, 33.—With local adv.:

    quoquam,

    Sall. J. 14:

    huc,

    Plaut. Truc. 2, 7, 60.—
    B.
    Esp.,
    1.
    To approach one for the purpose of addressing, asking aid, consulting, and the like, to address, apply to, consult (diff. from aggredior, q. v.). —Constr. with ad or oftener with acc.; hence also pass.:

    quanto satius est, adire blandis verbis atque exquaerere, sintne illa, etc.,

    Plaut. Ps. 1, 5, 35:

    aliquot me adierunt,

    Ter. And. 3, 3, 2:

    adii te heri de filia,

    id. Hec. 2, 2, 9: cum pacem peto, cum placo, cum adeo, et cum appello meam, Lucil. ap. Non. 237, 28:

    ad me adire quosdam memini, qui dicerent,

    Cic. Fam. 3, 10:

    coram adire et alloqui,

    Tac. H. 4, 65.— Pass.:

    aditus consul idem illud responsum retulit,

    when applied to, Liv. 37, 6 fin.:

    neque praetores adiri possent,

    Cic. Q. Fr. 1, 2, 5.—Hence: adire aliquem per epistulam, to address one in writing, by a letter:

    per epistulam, aut per nuntium, quasi regem, adiri eum aiunt,

    Plaut. Mil. 4, 6, 9 and 10; cf. Tac. A. 4, 39; id. H. 1, 9.—So also: adire deos, aras, deorum sedes, etc., to approach the gods, their altars, etc., as a suppliant (cf.:

    acced. ad aras,

    Lucr. 5, 1199): quoi me ostendam? quod templum adeam? Att. ap. Non. 281, 6:

    ut essent simulacra, quae venerantes deos ipsos se adire crederent,

    Cic. N. D. 1, 27:

    adii Dominum et deprecatus sum,

    Vulg. Sap. 8, 21:

    aras,

    Cic. Phil. 14, 1:

    sedes deorum,

    Tib. 1, 5, 39:

    libros Sibyllinos,

    to consult the Sibylline Books, Liv. 34, 55; cf. Tac. A. 1, 76:

    oracula,

    Verg. A. 7, 82.—
    2.
    To go to a thing in order to examine it, to visit:

    oppida castellaque munita,

    Sall. J. 94:

    hiberna,

    Tac. H. 1, 52.—
    3.
    To come up to one in a hostile manner, to assail, attack:

    aliquem: nunc prior adito tu, ego in insidiis hic ero,

    Ter. Ph. 1, 4, 52:

    nec quisquam ex agmine tanto audet adire virum,

    Verg. A. 5, 379:

    Servilius obvia adire arma jubetur,

    Sil. 9, 272.
    II.
    Fig.
    A.
    To go to the performance of any act, to enter upon, to undertake, set about, undergo, submit to (cf.: accedo, aggredior, and adorior).—With ad or the acc. (class.):

    nunc eam rem vult, scio, mecum adire ad pactionem,

    Plaut. Aul. 2, 2, 25:

    tum primum nos ad causas et privatas et publicas adire coepimus,

    Cic. Brut. 90:

    adii causas oratorum, id. Fragm. Scaur. ap. Arus. p. 213 Lind.: adire ad rem publicam,

    id. de Imp. Pomp. 24, 70:

    ad extremum periculum,

    Caes. B. C. 2, 7.—With acc.:

    periculum capitis,

    Cic. Rosc. Am. 38:

    laboribus susceptis periculisque aditis,

    id. Off. 1, 19:

    in adeundis periculis,

    id. ib. 24; cf.:

    adeundae inimicitiae, subeundae saepe pro re publica tempestates,

    id. Sest. 66, 139: ut vitae periculum aditurus videretur, Auct. B. G. 8, 48: maximos labores et summa pericula. Nep. Timol. 5:

    omnem fortunam,

    Liv. 25, 10:

    dedecus,

    Tac. A. 1, 39:

    servitutem voluntariam,

    id. G. 24:

    invidiam,

    id. A. 4, 70:

    gaudia,

    Tib. 1, 5, 39.—Hence of an inheritance, t. t., to enter on:

    cum ipse hereditatem patris non adisses,

    Cic. Phil. 2, 16; so id. Arch. 5; Suet. Aug. 8 and Dig.;

    hence also: adire nomen,

    to assume the name bequeathed by will, Vell. 2, 60.—
    B.
    Adire manum alicui, prov., to deceive one, to make sport of (the origin of this phrase is unc.; Acidalius conjectures that it arose from some artifice practised in wrestling, Wagner ad Plaut. Aul. 2, 8, 8):

    eo pacto avarae Veneri pulcre adii manum,

    Plaut. Poen. 2, 11; so id. Aul. 2, 8, 8; id. Cas. 5, 2, 54; id. Pers. 5, 2, 18.
    2.
    ăd-ĕō̆, adv. [cf. quoad and adhuc] (acc. to Festus, it should be accented adéo, v. the preced. word; but this distinction is merely a later invention of the grammarians; [p. 33] cf. Gell. 7, 7).
    I.
    In the ante-class. per.,
    A.
    To designate the limit of space or time, with reference to the distance passed through; hence often accompanied by usque (cf. ad), to this, thus far, so far, as far.
    1.
    Of space:

    surculum artito usque adeo, quo praeacueris,

    fit in the scion as far as you have sharpened it, Cato, R. R. 40, 3.— Hence: res adeo rediit, the affair has gone so far (viz., in deterioration, “cum aliquid pejus exspectatione contigit,” Don. ad Ter. Ph. 1, 2, 5):

    postremo adeo res rediit: adulescentulus saepe eadem et graviter audiendo victus est,

    Ter. Heaut. 1, 1, 61; cf. id. Ph. 1, 2, 5.—
    2.
    Of time, so long ( as), so long ( till), strengthened by usque, and with dum, donec, following, and in Cic. with quoad:

    merces vectatum undique adeo dum, quae tum haberet, peperisset bona,

    Plaut. Merc. 1, 1, 76; 3, 4, 72; id. Am. 1, 2, 10 al.:

    nusquam destitit instare, suadere, orare, usque adeo donec perpulit,

    Ter. And. 4, 1, 36; Cato, R. R. 67; id. ib. 76:

    atque hoc scitis omnes usque adeo hominem in periculo fuisse, quoad scitum sit Sestium vivere,

    Cic. Sest. 38, 82.—
    B.
    For the purpose of equalizing two things in comparison, followed by ut: in the same degree or measure or proportion... in which; or so very, so much, so, to such a degree... as (only in comic poets), Plaut. Ep. 4, 1, 38:

    adeon hominem esse invenustum aut infelicem quemquam, ut ego sum?

    Ter. And. 1, 5, 10.—Also followed by quasi, when the comparison relates to similarity:

    gaudere adeo coepit, quasi qui cupiunt nuptias,

    in the same manner as those rejoice who desire marriage, Ter. Heaut. 5, 1, 12.—
    C.
    (Only in the comic poets) = ad haec, praeterea, moreover, besides, too: ibi tibi adeo lectus dabitur, ubi tu haud somnum capias ( beside the other annoyances), a bed, too, shall be given you there, etc., Plaut. Ps. 1, 2, 80.—Hence also with etiam:

    adeo etiam argenti faenus creditum audio,

    besides too, id. Most. 3, 1, 101.—
    D.
    (Only in the comic poets.) Adeo ut, for this purpose that, to the end that:

    id ego continuo huic dabo, adeo me ut hic emittat manu,

    Plaut. Rud. 5, 3, 32:

    id adeo te oratum advenio, ut, etc.,

    id. Aul. 4, 10, 9:

    adeo ut tu meam sententiam jam jam poscere possis, faciam, etc.,

    id. ib. 3, 2, 26 (where Wagner now reads at ut):

    atque adeo ut scire possis, factum ego tecum hoc divido,

    id. Stich. 5, 4, 15. (These passages are so interpreted by Hand, I. p. 138; others regard adeo here = quin immo.)—
    E.
    In narration, in order to put one person in strong contrast with another. It may be denoted by a stronger emphasis upon the word to be made conspicuous, or by yet, on the contrary, etc.:

    jam ille illuc ad erum cum advenerit, narrabit, etc.: ille adeo illum mentiri sibi credet,

    Plaut. Am. 1, 2, 4 sq.; so id. Merc. 2, 1, 8 al.
    II.
    To the Latin of every period belongs the use of this word,
    A.
    To give emphasis to an idea in comparison, so, so much, so very, with verbs, adjectives, and substantives:

    adeo ut spectare postea omnīs oderit,

    Plaut. Capt. prol. 65:

    neminem quidem adeo infatuare potuit, ut ei nummum ullum crederet,

    Cic. Fl. 20, 47:

    adeoque inopia est coactus Hannibal, ut, etc.,

    Liv. 22, 32, 3 Weiss.:

    et voltu adeo modesto, adeo venusto, ut nil supra,

    Ter. And. 1, 1, 92:

    nemo adeo ferus est, ut, etc.,

    Hor. Ep. 1, 1, 39.—With usque:

    adeo ego illum cogam usque, ut mendicet meus pater,

    Plaut. Bacch. 3, 4, 10:

    usque adeo turbatur,

    even so much, so continually, Verg. E. 1, 12; Curt. 10, 1, 42; Luc. 1, 366.—In questions:

    adeone me fuisse fungum, ut qui illi crederem?

    Plaut. Bacch. 2, 3, 49:

    adeone hospes hujus urbis, adeone ignarus es disciplinae consuetudinisque nostrae, ut haec nescias?

    Cic. Rab. 10, 28; so id. Phil. 2, 7, 15; id. Fam. 9, 10; Liv. 2, 7, 10; 5, 6, 4.—With a negative in both clauses, also with quin in the last:

    non tamen adeo virtutum sterile saeculum, ut non et bona exempla prodiderit,

    Tac. H. 1, 3; so Suet. Oth. 9:

    verum ego numquam adeo astutus fui, quin, etc.,

    Ter. Ad. 2, 2, 13.—

    Sometimes the concluding clause is to be supplied from the first: quis genus Aeneadum, quis Trojae nesciat urbem?... non obtusa adeo gestamus pectora Poeni, viz.,

    that we know not the Trojans and their history, Verg. A. 1, 565:

    adeo senuerunt Juppiter et Mars?

    Juv. 6, 59.—Hence (post-Cic.): adeo non ut... adeo nihil ut... so little that, so far from that... (in reference to which, it should be noticed that in Latin the negative is blended with the verb in one idea, which is qualified by adeo) = tantum abest ut: haec dicta adeo nihil moverunt quemquam, ut legati prope violati sint, these words left them all so unmoved that, etc., or had so little effect, etc., Liv. 3, 2, 7: qui adeo non tenuit iram, ut gladio cinctum in senatum venturum se esse palam diceret, who restrained his anger so little that, etc. (for, qui non—tenuit iram adeo, ut), id. 8, 7, 5; so 5, 45, 4; Vell. 2, 66, 4: Curt. 3, 12, 22.—Also with contra in the concluding clause:

    apud hostes Afri et Carthaginienses adeo non sustinebant, ut contra etiam pedem referrent,

    Liv. 30, 34, 5. —
    B.
    Adeo is placed enclitically after its word, like quidem, certe, and the Gr. ge, even, indeed, just, precisely. So,
    1.
    Most freq. with pronouns, in order to render prominent something before said, or foll., or otherwise known (cf. in Gr. egôge, suge, autos ge, etc., Viger. ed. Herm. 489, vi. and Zeun.): argentariis male credi qui aiunt, nugas praedicant: nam et bene et male credi dico; id adeo hodie ego expertus sum, just this (touto ge), Plaut. Curc. 5, 3, 1; so id. Aul. 2, 4, 10; 4, 2, 15; id. Am. 1, 1, 98; 1, 2, 6; id. Ep. 1, 1, 51; 2, 2, 31; 5, 2, 40; id. Poen. 1, 2, 57: plerique homines, quos, cum nihil refert, pudet;

    ubi pudendum'st ibi eos deserit pudor, is adeo tu es,

    you are just such a one, id. Ep. 2, 1, 2:

    cui tu obsecutus, facis huic adeo injuriam,

    Ter. Hec. 4, 4, 68: tute adeo jam ejus verba audies, you yourself shall hear what he has to say (suge akousêi), Ter. And. 3, 3, 27: Dolabella tuo nihil scito mihi esse jucundius: hanc adeo habebo gratiam illi, i. e. hanc, quae maxima est, gratiam (tautên ge tên charin), Caes. ap. Cic. Att. 9, 16:

    haec adeo ex illo mihi jam speranda fuerunt,

    even this, Verg. A. 11, 275.—It is often to be translated by the intensive and, and just, etc. (so esp. in Cic. and the histt.): id adeo, si placet, considerate, just that (touto ge skopeite), Cic. Caec. 30, 87:

    id adeo ex ipso senatus consulto cognoscite,

    id. Verr. 2, 4, 64, 143; cf. id. Clu. 30, 80:

    ad hoc quicumque aliarum atque senatus partium erant, conturbari remp., quam minus valere ipsi malebant. Id adeo malum multos post annos in civitatem reverterat,

    And just this evil, Sall. C. 37, 11; so 37, 2; id. J. 68, 3; Liv. 2, 29, 9; 4, 2, 2: id adeo manifestum erit, si cognoverimus, etc., and this, precisely this, will be evident, if, etc., Quint. 2, 16, 18 Spald.—It is rarely used with ille:

    ille adeo illum mentiri sibi credet,

    Plaut. Am. 1, 2, 6.—Sometimes with the rel. pron.: quas adeo haud quisquam liber umquam tetigit, Plaut: Poen. 1, 2, 57; Cic. Fin. 2, 12, 37. —With interrog. pron.:

    Quis adeo tam Latinae linguae ignarus est, quin, etc.,

    Gell. 7, 17.—Adeo is joined with the pers. pron. when the discourse passes from one person to another, and attention is to be particularly directed to the latter: Juppiter, tuque adeo summe Sol, qui res omnes inspicis, and thou especially, and chiefly thou, Enn. ap. Prob.:

    teque adeo decus hoc aevi inibit,

    Verg. E. 4, 11; id. G. 1, 24: teque, Neptune, invoco, vosque adeo venti, Poët. ap. Cic. Tusc. 4, 34, 73;

    and without the copulative: vos adeo... item ego vos virgis circumvinciam,

    Plaut. Rud. 3, 4, 25.— Ego adeo often stands for ego quidem, equidem (egôge):

    tum libertatem Chrysalo largibere: ego adeo numquam accipiam,

    Plaut. Bacch. 4, 7, 30; so id. Mil. 4, 4, 55; id. Truc. 4, 3, 73:

    ego adeo hanc primus inveni viam,

    Ter. Eun. 2, 2, 16:

    nec me adeo fallit,

    Verg. A. 4, 96.—Ipse adeo (autos ge), for the sake of emphasis:

    atque hercle ipsum adeo contuor,

    Plaut. As. 2, 3, 24:

    ipsum adeo praesto video cum Davo,

    Ter. And. 2, 5, 4:

    ipse adeo senis ductor Rhoeteus ibat pulsibus,

    Sil. 14, 487.—
    2.
    With the conditional conjj. si, nisi, etc. (Gr. ei ge), if indeed, if truly:

    nihili est autem suum qui officium facere immemor est, nisi adeo monitus,

    unless, indeed, he is reminded of it, Plaut. Ps. 4, 7, 2: Si. Num illi molestae quippiam hae sunt nuptiae? Da. Nihil Hercle: aut si adeo, bidui est aut tridui haec sollicitudo, and if, indeed, etc. (not if also, for also is implied in aut), Ter. And. 2, 6, 7.—
    3.
    With adverbs: nunc adeo (nun ge), Plaut. As. 3, 1, 29; id. Mil. 2, 2, 4; id. Merc. 2, 2, 57; id. Men. 1, 2, 11; id. Ps. 1, 2, 52; id. Rud. 3, 4, 23; Ter. And. 4, 5, 26; Verg. A. 9, 156: jam adeo (dê ge), id. ib. 5, 268; Sil. 1, 20; 12, 534; Val. Fl. 3, 70. umquam adeo, Plaut. Cas. 5, 4, 23:

    inde adeo,

    Ter. Heaut. 1, 1, 1:

    hinc adeo,

    Verg. E. 9, 59: sic adeo (houtôs ge), id. A. 4, 533; Sil. 12, 646:

    vix adeo,

    Verg. A. 6, 498:

    non adeo,

    Ter. Heaut. 1, 1, 57; Verg. A. 11, 436. —
    4.
    With adjectives = vel, indeed, even, very, fully:

    quot adeo cenae, quas deflevi, mortuae!

    how very many suppers, Plaut. Stich. 1, 3, 59: quotque adeo fuerint, qui temnere superbum... Lucil. ap. Non. 180, 2: nullumne malorum finem adeo poenaeque dabis (adeo separated from nullum by poet. license)? wilt thou make no end at all to calamity and punishment? Val. Fl. 4, 63:

    trīs adeo incertos caeca caligine soles erramus,

    three whole days we wander about, Verg. A. 3, 203; 7, 629.—And with comp. or the adv. magis, multo, etc.:

    quae futura et quae facta, eloquar: multo adeo melius quam illi, cum sim Juppiter,

    very much better, Plaut. Am. 5, 2, 3; so id. Truc. 2, 1, 5:

    magis adeo id facilitate quam aliā ullā culpā meā, contigit,

    Cic. de Or. 2, 4, 15.—
    5.
    With the conjj. sive, aut, vel, in order to annex a more important thought, or to make a correction, or indeed, or rather, or even only:

    sive qui ipsi ambīssent, seu per internuntium, sive adeo aediles perfidiose quoi duint,

    Plaut. Am. prol. 71:

    si hercle scivissem, sive adeo joculo dixisset mihi, se illam amare,

    id. Merc. 5, 4, 33; so id. Truc. 4, 3, 1; id. Men. 5, 2, 74; Ter. Hec. 4, 1, 9: nam si te tegeret pudor, sive adeo cor sapientia imbutum foret, Pacuv. ap. Non. 521, 10:

    mihi adeunda est ratio, quā ad Apronii quaestum, sive adeo, quā ad istius ingentem immanemque praedam possim pervenire,

    or rather, Cic. Verr 2, 3, 46, 110; Verg. A. 11, 369; so, atque adeo:

    ego princeps in adjutoribus atque adeo secundus,

    Cic. Att. 1, 17, 9.—
    6.
    With the imperative, for emphasis, like tandem, modo, dum, the Germ. so, and the Gr. ge (cf. L. and S.), now, I pray:

    propera adeo puerum tollere hinc ab janua,

    Ter. And. 4, 4, 20 (cf. xullabete g auton, Soph. Phil. 1003).—
    C.
    Like admodum or nimis, to give emphasis to an idea (for the most part only in comic poets, and never except with the positive of the adj.; cf. Consent. 2023 P.), indeed, truly, so very, so entirely:

    nam me ejus spero fratrem propemodum jam repperisse adulescentem adeo nobilem,

    so very noble, Ter. Eun. 1, 2, 123:

    nec sum adeo informis,

    nor am I so very ugly, Verg. E. 2, 25:

    nam Caii Luciique casu non adeo fractus,

    Suet. Aug. 65:

    et merito adeo,

    and with perfect right, Ter. Hec. 2, 1, 42:

    etiam num credis te ignorarier aut tua facta adeo,

    do you, then, think that they are ignorant of you or your conduct entirely? id. Ph. 5, 8, 38.—
    D.
    To denote what exceeds expectation, even: quam omnium Thebis vir unam esse optimam dijudicat, quamque adeo cives Thebani rumificant probam, and whom even the Thebans (who are always ready to speak evil of others) declare to be an honest woman, Plaut. Am. 2, 2, 44.— Hence also it denotes something added to the rest of the sentence, besides, too, over and above, usually in the connection: -que adeo (rare, and never in prose; cf.

    adhuc, I.): quin te Di omnes perdant qui me hodie oculis vidisti tuis, meque adeo scelestum,

    and me too, Plaut. Rud. 4, 4, 122; cf. id. 4, 2, 32:

    haec adeo tibi me, ipsa palam fari omnipotens Saturnia jussit,

    Verg. A. 7, 427.
    III.
    After Caesar and Cicero (the only instance of this use adduced from Cicero's works, Off. 1, 11, 36, being found in a passage rejected by the best critics, as B. and K.).
    A.
    For adding an important and satisfactory reason to an assertion, and then it always stands at the beginning of the clause, indeed, for:

    cum Hanno perorāsset, nemini omnium cum eo certare necesse fuit: adeo prope omnis senatus Hannibalis erat: the idea is,

    Hanno's speech, though so powerful, was ineffectual, and did not need a reply; for all the senators belonged to the party of Hannibal, Liv. 21, 11, 1; so id. 2, 27, 3; 2, 28, 2; 8, 37, 2; Tac. Ann. 1, 50, 81; Juv. 3, 274; 14, 233.—Also for introducing a parenthesis: sed ne illi quidem ipsi satis mitem gentem fore (adeo ferocia atque indomita [p. 34] ingenia esse) ni subinde auro... principum animi concilientur, Liv. 21, 20, 8; so id. 9, 26, 17; 3, 4, 2; Tac. A. 2, 28.—
    B.
    When to a specific fact a general consideration is added as a reason for it, so, thus (in Livy very often):

    haud dubius, facilem in aequo campi victoriam fore: adeo non fortuna modo, sed ratio etiam cum barbaris stabat,

    thus not only fortune, but sagacity, was on the side of the barbarians, Liv. 5, 38, 4:

    adeo ex parvis saepe magnarum momenta rerum pendent,

    id. 27, 9, 1; so id. 4, 31, 5; 21, 33, 6; 28, 19; Quint. 1, 12, 7; Curt. 10, 2, 11; Tac. Agr. 1:

    adeo in teneris consuescere multum est,

    Verg. G. 2, 272.—
    C.
    In advancing from one thought to another more important = immo, rather, indeed, nay: nulla umquam res publica ubi tantus paupertati ac parsimoniae honos fuerit: adeo, quanto rerum minus, tanto minus cupiditatis erat, Liv. praef. 11; so Gell. 11, 7; Symm. Ep. 1, 30, 37.—
    D.
    With a negative after ne—quidem or quoque, so much the more or less, much less than, still less (post-Aug.):

    hujus totius temporis fortunam ne deflere quidem satis quisquam digne potuit: adeo nemo exprimere verbis potest,

    still less can one describe: it by words, Vell. 2, 67, 1:

    ne tecta quidem urbis, adeo publicum consilium numquam adiit,

    still less, Tac. A. 6, 15; so id. H. 3, 64; Curt. 7, 5, 35:

    favore militum anxius et superbia viri aequalium quoque, adeo superiorum intolerantis,

    who could not endure his equals even, much less his superiors, Tac. H. 4, 80.—So in gen., after any negative: quaelibet enim ex iis artibus in paucos libros contrahi solet: adeo infinito spatio ac traditione opus non est, so much the less is there need, etc., Quint. 12, 11, 16; Plin. 17, 12, 35, § 179; Tac. H. 3, 39.—(The assumption of a causal signif. of adeo = ideo, propterea, rests upon false readings. For in Cael. Cic. Fam. 8, 15 we should read ideo, B. and K., and in Liv. 24, 32, 6, ad ea, Weiss.).—See more upon this word in Hand, Turs. I. pp. 135-155.

    Lewis & Short latin dictionary > adeo

  • 10 Strutt, Jedediah

    SUBJECT AREA: Textiles
    [br]
    b. 26 July 1726 South Normanton, near Alfreton, Derbyshire, England
    d. 7 May 1797 Derby, England
    [br]
    English inventor of a machine for making ribbed knitting.
    [br]
    Jedediah Strutt was the second of three sons of William, a small farmer and maltster at South Normanton, near Alfreton, Derbyshire, where the only industry was a little framework knitting. At the age of 14 Jedediah was apprenticed to Ralph Massey, a wheelwright near Derby, and lodged with the Woollats, whose daughter Elizabeth he later married in 1755. He moved to Leicester and in 1754 started farming at Blackwell, where an uncle had died and left him the stock on his farm. It was here that he made his knitting invention.
    William Lee's knitting machine remained in virtually the same form as he left it until the middle of the eighteenth century. The knitting industry moved away from London into the Midlands and in 1730 a Nottingham workman, using Indian spun yarn, produced the first pair of cotton hose ever made by mechanical means. This industry developed quickly and by 1750 was providing employment for 1,200 frameworkers using both wool and cotton in the Nottingham and Derby areas. It was against this background that Jedediah Strutt obtained patents for his Derby rib machine in 1758 and 1759.
    The machine was a highly ingenious mechanism, which when placed in front of an ordinary stocking frame enabled the fashionable ribbed stockings to be made by machine instead of by hand. To develop this invention, he formed a partnership first with his brother-in-law, William Woollat, and two leading Derby hosiers, John Bloodworth and Thomas Stamford. This partnership was dissolved in 1762 and another was formed with Woollat and the Nottingham hosier Samuel Need. Strutt's invention was followed by a succession of innovations which enabled framework knitters to produce almost every kind of mesh on their machines. In 1764 the stocking frame was adapted to the making of eyelet holes, and this later lead to the production of lace. In 1767 velvet was made on these frames, and two years later brocade. In this way Strutt's original invention opened up a new era for knitting. Although all these later improvements were not his, he was able to make a fortune from his invention. In 1762 he was made a freeman of Nottingham, but by then he was living in Derby. His business at Derby was concerned mainly with silk hose and he had a silk mill there.
    It was partly his need for cotton yarn and partly his wealth which led him into partnership with Richard Arkwright, John Smalley and David Thornley to exploit Arkwright's patent for spinning cotton by rollers. Together with Samuel Need, they financed the Arkwright partnership in 1770 to develop the horse-powered mill in Nottingham and then the water-powered mill at Cromford. Strutt gave advice to Arkwright about improving the machinery and helped to hold the partnership together when Arkwright fell out with his first partners. Strutt was also involved, in London, where he had a house, with the parliamentary proceedings over the passing of the Calico Act in 1774, which opened up the trade in British-manufactured all-cotton cloth.
    In 1776 Strutt financed the construction of his own mill at Helper, about seven miles (11 km) further down the Derwent valley below Cromford. This was followed by another at Milford, a little lower on the river. Strutt was also a partner with Arkwright and others in the mill at Birkacre, near Chorley in Lancashire. The Strutt mills were developed into large complexes for cotton spinning and many experiments were later carried out in them, both in textile machinery and in fireproof construction for the mills themselves. They were also important training schools for engineers.
    Elizabeth Strutt died in 1774 and Jedediah never married again. The family seem to have lived frugally in spite of their wealth, probably influenced by their Nonconformist background. He had built a house near the mills at Milford, but it was in his Derby house that Jedediah died in 1797. By the time of his death, his son William had long been involved with the business and became a more important cotton spinner than Jedediah.
    [br]
    Bibliography
    1758. British patent no. 722 (Derby rib machine). 1759. British patent no. 734 (Derby rib machine).
    Further Reading
    For the involvement of Strutt in Arkwright's spinning ventures, there are two books, the earlier of which is R.S.Fitton and A.P.Wadsworth, 1958, The Strutts and the Arkwrights, 1758–1830, Manchester, which has most of the details about Strutt's life. This has been followed by R.S.Fitton, 1989, The Arkwrights, Spinners of Fortune, Manchester.
    R.L.Hills, 1970, Power in the Industrial Revolution, Manchester (for a general background to the textile industry of the period).
    W.Felkin, 1967, History of the Machine-wrought Hosiery and Lace Manufactures, reprint, Newton Abbot (orig. pub. 1867) (covers Strutt's knitting inventions).
    RLH

    Biographical history of technology > Strutt, Jedediah

  • 11 postérieur

    postérieur, e [pɔsteʀjœʀ]
    1. adjective
    (dans le temps) [date, document] later ; [événement] subsequent ; (dans l'espace) [partie] back ; [membre] hind
    2. masculine noun
    ( = fesses) (inf) behind (inf)
    * * *

    1.
    postérieure pɔsteʀjœʀ adjectif
    1) ( dans le temps) [date] later (épith); [événement, œuvre] subsequent (épith)
    2) ( dans l'espace) [partie, section] posterior; [pattes] hind (épith)
    3) [phonème] back

    2.
    (colloq) nom masculin behind (colloq), posterior hum
    * * *
    pɔsteʀjœʀ postérieur, -e
    1. adj
    1) (date) later

    Ce document est postérieur à 1314. — This document is later than 1314.

    2) (partie) back
    2. nm
    * * *
    A adj
    1 ( dans le temps) [date] later ( épith); [événement, œuvre] subsequent; un écrivain postérieur à Flaubert a writer who came after Flaubert; cette invention est postérieure à 1960 this invention dates from after 1960; un événement postérieur à la guerre an event which took place after the war;
    2 ( dans l'espace) [partie, section] posterior; [pattes] hind ( épith);
    3 Phon back.
    B ○nm behind○, posterior hum; un coup de pied au postérieur lit, fig a kick up the behind○.
    ( féminin postérieure) [pɔsterjɶr] adjectif
    1. [ultérieur - date, époque] later ; [ - fait, invention] subsequent, later
    2. [de derrière - pattes] hind, rear, back (modificateur) ; [ - partie] back, posterior (soutenu)
    3. PHONÉTIQUE [voyelle, articulation] back (modificateur)
    ————————
    nom masculin

    Dictionnaire Français-Anglais > postérieur

  • 12 Crompton, Samuel

    SUBJECT AREA: Textiles
    [br]
    b. 3 December 1753 Firwood, near Bolton, Lancashire, England
    d. 26 June 1827 Bolton, Lancashire, England
    [br]
    English inventor of the spinning mule.
    [br]
    Samuel Crompton was the son of a tenant farmer, George, who became the caretaker of the old house Hall-i-th-Wood, near Bolton, where he died in 1759. As a boy, Samuel helped his widowed mother in various tasks at home, including weaving. He liked music and made his own violin, with which he later was to earn some money to pay for tools for building his spinning mule. He was set to work at spinning and so in 1769 became familiar with the spinning jenny designed by James Hargreaves; he soon noticed the poor quality of the yarn produced and its tendency to break. Crompton became so exasperated with the jenny that in 1772 he decided to improve it. After seven years' work, in 1779 he produced his famous spinning "mule". He built the first one entirely by himself, principally from wood. He adapted rollers similar to those already patented by Arkwright for drawing out the cotton rovings, but it seems that he did not know of Arkwright's invention. The rollers were placed at the back of the mule and paid out the fibres to the spindles, which were mounted on a moving carriage that was drawn away from the rollers as the yarn was paid out. The spindles were rotated to put in twist. At the end of the draw, or shortly before, the rollers were stopped but the spindles continued to rotate. This not only twisted the yarn further, but slightly stretched it and so helped to even out any irregularities; it was this feature that gave the mule yarn extra quality. Then, after the spindles had been turned backwards to unwind the yarn from their tips, they were rotated in the spinning direction again and the yarn was wound on as the carriage was pushed up to the rollers.
    The mule was a very versatile machine, making it possible to spin almost every type of yarn. In fact, Samuel Crompton was soon producing yarn of a much finer quality than had ever been spun in Bolton, and people attempted to break into Hall-i-th-Wood to see how he produced it. Crompton did not patent his invention, perhaps because it consisted basically of the essential features of the earlier machines of Hargreaves and Arkwright, or perhaps through lack of funds. Under promise of a generous subscription, he disclosed his invention to the spinning industry, but was shabbily treated because most of the promised money was never paid. Crompton's first mule had forty-eight spindles, but it did not long remain in its original form for many people started to make improvements to it. The mule soon became more popular than Arkwright's waterframe because it could spin such fine yarn, which enabled weavers to produce the best muslin cloth, rivalling that woven in India and leading to an enormous expansion in the British cotton-textile industry. Crompton eventually saved enough capital to set up as a manufacturer himself and around 1784 he experimented with an improved carding engine, although he was not successful. In 1800, local manufacturers raised a sum of £500 for him, and eventually in 1812 he received a government grant of £5,000, but this was trifling in relation to the immense financial benefits his invention had conferred on the industry, to say nothing of his expenses. When Crompton was seeking evidence in 1811 to support his claim for financial assistance, he found that there were 4,209,570 mule spindles compared with 155,880 jenny and 310,516 waterframe spindles. He later set up as a bleacher and again as a cotton manufacturer, but only the gift of a small annuity by his friends saved him from dying in total poverty.
    [br]
    Further Reading
    H.C.Cameron, 1951, Samuel Crompton, Inventor of the Spinning Mule, London (a rather discursive biography).
    Dobson \& Barlow Ltd, 1927, Samuel Crompton, the Inventor of the Spinning Mule, Bolton.
    G.J.French, 1859, The Life and Times of Samuel Crompton, Inventor of the Spinning Machine Called the Mule, London.
    The invention of the mule is fully described in H. Gatling, 1970, The Spinning Mule, Newton Abbot; W.English, 1969, The Textile Industry, London; R.L.Hills, 1970, Power in the Industrial Revolution, Manchester.
    C.Singer (ed.), 1958, A History of Technology, Vol. IV, Oxford: Clarendon Press (provides a brief account).
    RLH

    Biographical history of technology > Crompton, Samuel

  • 13 Morse, Samuel Finley Breeze

    SUBJECT AREA: Telecommunications
    [br]
    b. 27 April 1791 Charlestown, Massachusetts, USA
    d. 2 April 1872 New York City, New York, USA
    [br]
    American portrait painter and inventor, b est known for his invention of the telegraph and so-called Morse code.
    [br]
    Following early education at Phillips Academy, Andover, at the age of 14 years Morse went to Yale College, where he developed interests in painting and electricity. Upon graduating in 1810 he became a clerk to a Washington publisher and a pupil of Washington Allston, a well-known American painter. The following year he travelled to Europe and entered the London studio of another American artist, Benjamin West, successfully exhibiting at the Royal Academy as well as winning a prize and medal for his sculpture. Returning to Boston and finding little success as a "historical-style" painter, he built up a thriving portrait business, moving in 1818 to Charleston, South Carolina, where three years later he established the (now defunct) South Carolina Academy of Fine Arts. In 1825 he was back in New York, but following the death of his wife and both of his parents that year, he embarked on an extended tour of European art galleries. In 1832, on the boat back to America, he met Charles T.Jackson, who told him of the discovery of the electromagnet and fired his interest in telegraphy to the extent that Morse immediately began to make suggestions for electrical communications and, apparently, devised a form of printing telegraph. Although he returned to his painting and in 1835 was appointed the first Professor of the Literature of Art and Design at the University of New York City, he began to spend more and more time experimenting in telegraphy. In 1836 he invented a relay as a means of extending the cable distance over which telegraph signals could be sent. At this time he became acquainted with Alfred Vail, and the following year, when the US government published the requirements for a national telegraph service, they set out to produce a workable system, with finance provided by Vail's father (who, usefully, owned an ironworks). A patent was filed on 6 October 1837 and a successful demonstration using the so-called Morse code was given on 6 January 1838; the work was, in fact, almost certainly largely that of Vail. As a result of the demonstration a Bill was put forward to Congress for $30,000 for an experimental line between Washington and Baltimore. This was eventually passed and the line was completed, and on 24 May 1844 the first message, "What hath God wrought", was sent between the two cities. In the meantime Morse also worked on the insulation of submarine cables by means of pitch tar and indiarubber.
    With success achieved, Morse offered his invention to the Government for $100,000, but this was declined, so the invention remained in private hands. To exploit it, Morse founded the Magnetic Telephone Company in 1845, amalgamating the following year with the telegraph company of a Henry O'Reilly to form Western Union. Having failed to obtain patents in Europe, he now found himself in litigation with others in the USA, but eventually, in 1854, the US Supreme Court decided in his favour and he soon became very wealthy. In 1857 a proposal was made for a telegraph service across the whole of the USA; this was completed in just over four months in 1861. Four years later work began on a link to Europe via Canada, Alaska, the Aleutian Islands and Russia, but it was abandoned with the completion of the transatlantic cable, a venture in which he also had some involvement. Showered with honours, Morse became a generous philanthropist in his later years. By 1883 the company he had created was worth $80 million and had a virtual monopoly in the USA.
    [br]
    Principal Honours and Distinctions
    LLD, Yale 1846. Fellow of the Academy of Arts and Sciences 1849. Celebratory Banquet, New York, 1869. Statue in New York Central Park 1871. Austrian Gold Medal of Scientific Merit. Danish Knight of the Danneborg. French Légion d'honneur. Italian Knight of St Lazaro and Mauritio. Portuguese Knight of the Tower and Sword. Turkish Order of Glory.
    Bibliography
    E.L.Morse (ed.), 1975, Letters and Journals, New York: Da Capo Press (facsimile of a 1914 edition).
    Further Reading
    J.Munro, 1891, Heroes of the Telegraph (discusses his telegraphic work and its context).
    C.Mabee, 1943, The American Leonardo: A Life of Samuel Morse; reprinted 1969 (a detailed biography).
    KF

    Biographical history of technology > Morse, Samuel Finley Breeze

  • 14 Talbot, William Henry Fox

    [br]
    b. 11 February 1800 Melbury, England
    d. 17 September 1877 Lacock, Wiltshire, England
    [br]
    English scientist, inventor of negative—positive photography and practicable photo engraving.
    [br]
    Educated at Harrow, where he first showed an interest in science, and at Cambridge, Talbot was an outstanding scholar and a formidable mathematician. He published over fifty scientific papers and took out twelve English patents. His interests outside the field of science were also wide and included Assyriology, etymology and the classics. He was briefly a Member of Parliament, but did not pursue a parliamentary career.
    Talbot's invention of photography arose out of his frustrating attempts to produce acceptable pencil sketches using popular artist's aids, the camera discura and camera lucida. From his experiments with the former he conceived the idea of placing on the screen a paper coated with silver salts so that the image would be captured chemically. During the spring of 1834 he made outline images of subjects such as leaves and flowers by placing them on sheets of sensitized paper and exposing them to sunlight. No camera was involved and the first images produced using an optical system were made with a solar microscope. It was only when he had devised a more sensitive paper that Talbot was able to make camera pictures; the earliest surviving camera negative dates from August 1835. From the beginning, Talbot noticed that the lights and shades of his images were reversed. During 1834 or 1835 he discovered that by placing this reversed image on another sheet of sensitized paper and again exposing it to sunlight, a picture was produced with lights and shades in the correct disposition. Talbot had discovered the basis of modern photography, the photographic negative, from which could be produced an unlimited number of positives. He did little further work until the announcement of Daguerre's process in 1839 prompted him to publish an account of his negative-positive process. Aware that his photogenic drawing process had many imperfections, Talbot plunged into further experiments and in September 1840, using a mixture incorporating a solution of gallic acid, discovered an invisible latent image that could be made visible by development. This improved calotype process dramatically shortened exposure times and allowed Talbot to take portraits. In 1841 he patented the process, an exercise that was later to cause controversy, and between 1844 and 1846 produced The Pencil of Nature, the world's first commercial photographically illustrated book.
    Concerned that some of his photographs were prone to fading, Talbot later began experiments to combine photography with printing and engraving. Using bichromated gelatine, he devised the first practicable method of photo engraving, which was patented as Photoglyphic engraving in October 1852. He later went on to use screens of gauze, muslin and finely powdered gum to break up the image into lines and dots, thus anticipating modern photomechanical processes.
    Talbot was described by contemporaries as the "Father of Photography" primarily in recognition of his discovery of the negative-positive process, but he also produced the first photomicrographs, took the first high-speed photographs with the aid of a spark from a Leyden jar, and is credited with proposing infra-red photography. He was a shy man and his misguided attempts to enforce his calotype patent made him many enemies. It was perhaps for this reason that he never received the formal recognition from the British nation that his family felt he deserved.
    [br]
    Principal Honours and Distinctions
    FRS March 1831. Royal Society Rumford Medal 1842. Grand Médaille d'Honneur, L'Exposition Universelle, Paris, 1855. Honorary Doctorate of Laws, Edinburgh University, 1863.
    Bibliography
    1839, "Some account of the art of photographic drawing", Royal Society Proceedings 4:120–1; Phil. Mag., XIV, 1839, pp. 19–21.
    8 February 1841, British patent no. 8842 (calotype process).
    1844–6, The Pencil of Nature, 6 parts, London (Talbot'a account of his invention can be found in the introduction; there is a facsimile edn, with an intro. by Beamont Newhall, New York, 1968.
    Further Reading
    H.J.P.Arnold, 1977, William Henry Fox Talbot, London.
    D.B.Thomas, 1964, The First Negatives, London (a lucid concise account of Talbot's photograph work).
    J.Ward and S.Stevenson, 1986, Printed Light, Edinburgh (an essay on Talbot's invention and its reception).
    H.Gernsheim and A.Gernsheim, 1977, The History of Photography, London (a wider picture of Talbot, based primarily on secondary sources).
    JW

    Biographical history of technology > Talbot, William Henry Fox

  • 15 since

    1. conjunction
    1) ((often with ever) from a certain time onwards: I have been at home (ever) since I returned from Italy.) siden
    2) (at a time after: Since he agreed to come, he has become ill.) efter at
    3) (because: Since you are going, I will go too.) eftersom
    2. adverb
    1) ((usually with ever) from that time onwards: We fought and I have avoided him ever since.) lige siden
    2) (at a later time: We have since become friends.) sidenhen
    3. preposition
    1) (from the time of (something in the past) until the present time: She has been very unhappy ever since her quarrel with her boyfriend.) lige siden
    2) (at a time between (something in the past) and the present time: I've changed my address since last year.) siden
    3) (from the time of (the invention, discovery etc of): the greatest invention since the wheel.) siden
    * * *
    1. conjunction
    1) ((often with ever) from a certain time onwards: I have been at home (ever) since I returned from Italy.) siden
    2) (at a time after: Since he agreed to come, he has become ill.) efter at
    3) (because: Since you are going, I will go too.) eftersom
    2. adverb
    1) ((usually with ever) from that time onwards: We fought and I have avoided him ever since.) lige siden
    2) (at a later time: We have since become friends.) sidenhen
    3. preposition
    1) (from the time of (something in the past) until the present time: She has been very unhappy ever since her quarrel with her boyfriend.) lige siden
    2) (at a time between (something in the past) and the present time: I've changed my address since last year.) siden
    3) (from the time of (the invention, discovery etc of): the greatest invention since the wheel.) siden

    English-Danish dictionary > since

  • 16 posteriore

    "rear;
    Hinten"
    * * *
    back attr, rear attr
    ( successivo) later
    sedile m posteriore back seat
    * * *
    1 ( nello spazio) rear; back; ( di corpo umano) posterior: le file posteriori di una colonna militare, the rear ranks of a military column; le gambe posteriori di un cavallo, di una seggiola, the hind legs of a horse, the rear legs of a chair; la porta posteriore, ( di una casa) the back door; le ruote posteriori di un'automobile, the rear wheels of a car
    2 ( nel tempo) later, subsequent, following: gli anni posteriori furono terribili, the following years were terrible; i secoli posteriori, the later (o following) centuries; quelli furono avvenimenti posteriori, those were subsequent events; (dir.) leggi posteriori, succeeding laws
    3 (ling.) back: vocale posteriore, back vowel
    ◆ s.m.
    1 (scherz.) ( sedere) posterior, behind
    2 (di animale, uccello) rump.
    * * *
    [poste'rjore]
    1. agg
    1) (dietro: parte di oggetto) back attr, rear attr, (zampe) hind attr
    2) (tempo) later
    2. sm
    euf, (fam : sedere) behind, bottom
    * * *
    [poste'rjore] 1.
    1) (nello spazio) [parte, fila] back; aut. [asse, vetro, sedile, ruota] rear, back

    ingresso posteriore — back o rear entrance

    fanale posteriore — rear-light, taillight

    2) (nel tempo) [ data] later; [avvenimento, opera] subsequent
    2.
    sostantivo maschile colloq. scherz. bottom, behind, rear
    * * *
    posteriore
    /poste'rjore/
     1 (nello spazio) [parte, fila] back; aut. [asse, vetro, sedile, ruota] rear, back; ingresso posteriore back o rear entrance; zampe -i hind legs; trazione posteriore rear-wheel drive; fanale posteriore rear-light, taillight
     2 (nel tempo) [ data] later; [avvenimento, opera] subsequent; uno scrittore posteriore a Dickens a writer who came after Dickens; questa invenzione è posteriore al 1960 this invention dates from after 1960
     colloq. scherz. bottom, behind, rear.

    Dizionario Italiano-Inglese > posteriore

  • 17 Gutenberg, Johann Gensfleisch zum

    SUBJECT AREA: Paper and printing
    [br]
    b. c. 1394–9 Mainz, Germany
    d. 3 February 1468 Mainz, Germany
    [br]
    German inventor of printing with movable type.
    [br]
    Few biographical details are known of Johann Gensfleisch zum Gutenberg, yet it has been said that he was responsible for Germany's most notable contribution to civilization. He was a goldsmith by trade, of a patrician family of the city of Mainz. He seems to have begun experiments on printing while a political exile in Strasbourg c. 1440. He returned to Mainz between 1444 and 1448 and continued his experiments, until by 1450 he had perfected his invention sufficiently to justify raising capital for its commercial exploitation.
    Circumstances were propitious for the invention of printing at that time. Rises in literacy and prosperity had led to the formation of a social class with the time and resources to develop a taste for reading, and the demand for reading matter had outstripped the ability of the scribes to satisfy it. The various technologies required were well established, and finally the flourishing textile industry was producing enough waste material, rag, to make paper, the only satisfactory and cheap medium for printing. There were others working along similar lines, but it was Gutenberg who achieved the successful adaptation and combination of technologies to arrive at a process by which many identical copies of a text could be produced in a wide variety of forms, of which the book was the most important. Gutenberg did make several technical innovations, however. The two-piece adjustable mould for casting types of varying width, from T to "M", was ingenious. Then he had to devise an oil-based ink suitable for inking metal type, derived from the painting materials developed by contemporary Flemish artists. Finally, probably after many experiments, he arrived at a metal alloy of distinctive composition suitable for casting type.
    In 1450 Gutenberg borrowed 800 guldens from Johannes Fust, a lawyer of Mainz, and two years later Fust advanced a further 800 guldens, securing for himself a partnership in Gutenberg's business. But in 1455 Fust foreclosed and the bulk of Gutenberg's equipment passed to Peter Schöffer, who was in the service of Fust and later married his daughter. Like most early printers, Gutenberg seems not to have appreciated, or at any rate to have been able to provide for, the great dilemma of the publishing trade, namely the outlay of considerable capital in advance of each publication and the slowness of the return. Gutenberg probably retained only the type for the 42- and 36-line bibles and possibly the Catholicon of 1460, an encyclopedic work compiled in the thirteenth century and whose production pointed the way to printing's role as a means of spreading knowledge. The work concluded with a short descriptive piece, or colophon, which is probably by Gutenberg himself and is the only output of his mind that we have; it manages to omit the names of both author and printer.
    Gutenberg seems to have abandoned printing after 1460, perhaps due to failing eyesight as well as for financial reasons, and he suffered further loss in the sack of Mainz in 1462. He received a kind of pension from the Archbishop in 1465, and on his death was buried in the Franciscan church in Mainz. The only major work to have issued for certain from Gutenberg's workshop is the great 42-line bible, begun in 1452 and completed by August 1456. The quality of this Graaf piece of printing is a tribute to Gutenberg's ability as a printer, and the soundness of his invention is borne out by the survival of the process as he left it to the world, unchanged for over three hundred years save in minor details.
    [br]
    Further Reading
    A.Ruppel, 1967, Johannes Gutenberg: sein Leben und sein Werk, 3rd edn, Nieuwkoop: B.de Graaf (the standard biography), A.M.L.de Lamartine, 1960, Gutenberg, inventeur de l'imprimerie, Tallone.
    Scholderer, 1963, Gutenberg, Inventor of Printing, London: British Museum.
    S.H.Steinberg, 1974, Five Hundred Years of Printing 3rd edn, London: Penguin (provides briefer details).
    LRD

    Biographical history of technology > Gutenberg, Johann Gensfleisch zum

  • 18 Paul, Lewis

    SUBJECT AREA: Textiles
    [br]
    d. April 1759 Brook Green, London, England
    [br]
    English inventor of hand carding machines and partner with Wyatt in early spinning machines.
    [br]
    Lewis Paul, apparently of French Huguenot extraction, was quite young when his father died. His father was Physician to Lord Shaftsbury, who acted as Lewis Paul's guardian. In 1728 Paul made a runaway match with a widow and apparently came into her property when she died a year later. He must have subsequently remarried. In 1732 he invented a pinking machine for making the edges of shrouds out of which he derived some profit.
    Why Paul went to Birmingham is unknown, but he helped finance some of Wyatt's earlier inventions. Judging by the later patents taken out by Paul, it is probable that he was the one interested in spinning, turning to Wyatt for help in the construction of his spinning machine because he had no mechanical skills. The two men may have been involved in this as early as 1733, although it is more likely that they began this work in 1735. Wyatt went to London to construct a model and in 1736 helped to apply for a patent, which was granted in 1738 in the name of Paul. The patent shows that Paul and Wyatt had a number of different ways of spinning in mind, but contains no drawings of the machines. In one part there is a description of sets of rollers to draw the cotton out more finely that could have been similar to those later used by Richard Arkwright. However, it would seem that Paul and Wyatt followed the other main method described, which might be called spindle drafting, where the fibres are drawn out between the nip of a pair of rollers and the tip of the spindle; this method is unsatisfactory for continuous spinning and results in an uneven yarn.
    The spinning venture was supported by Thomas Warren, a well-known Birmingham printer, Edward Cave of Gentleman's Magazine, Dr Robert James of fever-powder celebrity, Mrs Desmoulins, and others. Dr Samuel Johnson also took much interest. In 1741 a mill powered by two asses was equipped at the Upper Priory, Birmingham, with, machinery for spinning cotton being constructed by Wyatt. Licences for using the invention were sold to other people including Edward Cave, who established a mill at Northampton, so the enterprise seemed to have great promise. A spinning machine must be supplied with fibres suitably prepared, so carding machines had to be developed. Work was in hand on one in 1740 and in 1748 Paul took out another patent for two types of carding device, possibly prompted by the patent taken out by Daniel Bourn. Both of Paul's devices were worked by hand and the carded fibres were laid onto a strip of paper. The paper and fibres were then rolled up and placed in the spinning machine. In 1757 John Dyer wrote a poem entitled The Fleece, which describes a circular spinning machine of the type depicted in a patent taken out by Paul in 1758. Drawings in this patent show that this method of spinning was different from Arkwright's. Paul endeavoured to have the machine introduced into the Foundling Hospital, but his death in early 1759 stopped all further development. He was buried at Paddington on 30 April that year.
    [br]
    Bibliography
    1738, British patent no. 562 (spinning machine). 1748, British patent no. 636 (carding machine).
    1758, British patent no. 724 (circular spinning machine).
    Further Reading
    G.J.French, 1859, The Life and Times of Samuel Crompton, London, App. This should be read in conjunction with R.L.Hills, 1970, Power in the Industrial Revolution, Manchester, which shows that the roller drafting system on Paul's later spinning machine worked on the wrong principles.
    A.P.Wadsworth and J.de L.Mann, 1931, The Cotton Trade and Industrial Lancashire, 1600–1780, Manchester (provides good coverage of the partnership of Paul and Wyatt and the early mills).
    E.Baines, 1835, History of the Cotton Manufacture in Great Britain, London (this publication must be mentioned, but is now out of date).
    A.Seymour-Jones, 1921, "The invention of roller drawing in cotton spinning", Transactions of the Newcomen Society 1 (a more modern account).
    RLH

    Biographical history of technology > Paul, Lewis

  • 19 Smith, Oberlin

    [br]
    b. 22 March 1840 Cincinnati, Ohio, USA
    d. 18 July 1926
    [br]
    American mechanical engineer, pioneer in experiments with magnetic recording.
    [br]
    Of English descent, Smith embarked on an education in mechanical engineering, graduating from West Jersey Academy, Bridgeton, New Jersey, in 1859. In 1863 he established a machine shop in Bridgeton, New Jersey, that became the Ferracute Machine Company in 1877, eventually specializing in the manufacture of presses for metalworking. He seems to have subscribed to design principles considered modern even in the 1990s, "always giving attention to the development of artistic form in combination with simplicity, and with massive strength where required" (bibliographic reference below). He was successful in his business, and developed and patented a large number of mechanical constructions.
    Inspired by the advent of the phonograph of Edison, in 1878 Smith obtained the tin-foil mechanical phonograph, analysed its shortcomings and performed some experiments in magnetic recording. He filed a caveat in the US Patent Office in order to be protected while he "reduced the invention to practice". However, he did not follow this trail. When there was renewed interest in practical sound recording and reproduction in 1888 (the constructions of Berliner and Bell \& Tainter), Smith published an account of his experiments in the journal Electrical World. In a corrective letter three weeks later it is clear that he was aware of the physical requirements for the interaction between magnetic coil and magnetic medium, but his publications also indicate that he did not as such obtain reproduction of recorded sound.
    Smith did not try to develop magnetic recording, but he felt it imperative that he be given credit for conceiving the idea of it. When accounts of Valdemar Poulsen's work were published in 1900, Smith attempted to prove some rights in the invention in the US Patent Office, but to no avail.
    He was a highly respected member of both his community and engineering societies, and in later life became interested in the anti-slavery cause that had also been close to the heart of his parents, as well as in the YMCA movement and in women's suffrage.
    [br]
    Bibliography
    Apart from numerous technical papers, he wrote the book Press Working of Metals, 1896. His accounts on the magnetic recording experiments were "Some possible forms of phonograph", Electrical World (8 September 1888): 161 ff, and "Letter to the Editor", Electrical World (29 September 1888): 179.
    Further Reading
    F.K.Engel, 1990, Documents on the Invention of Magnetic Recording in 1878, New York: Audio Engineering Society, Reprint no. 2,914 (G2) (a good overview of the material collected by the Oberlin Smith Society, Bridgeton, New Jersey, in particular as regards the recording experiments; it is here that it is doubted that Valdemar Poulsen developed his ideas independently).
    GB-N

    Biographical history of technology > Smith, Oberlin

  • 20 use

    1) польза, эффект
    2) использование, пользование, применение; употребление; использовать, пользоваться, применять; употреблять
    •
    - use for new purpose
    - used to
    - use exclusively
    - use in practice
    - use up
    - use under secrecy
    - when in use
    - use of a mark
    - use of invention
    - use of known process
    - use of monopoly
    - use of patent
    - use of patent information
    - use of patent license
    - use of patent rights
    - actual use
    - actual use of invention
    - analogous use
    - authorized use
    - commercial use
    - concurrent use
    - continued use
    - crown use
    - dead use
    - double use
    - exclusive use
    - experimental use
    - fair use
    - fair use of copyright material
    - foreign use
    - free use
    - full use
    - government use of a patented invention
    - hidden use
    - improper use of monopoly
    - improper use of patent
    - industrial use of invention
    - information use
    - infringing use
    - intended use
    - intentional improper use of monopoly
    - inventive use
    - joint use
    - later use
    - legal use
    - limited public use
    - new and full use
    - new use of known process
    - noninfringing use
    - notorious prior use
    - open use
    - patent use
    - permitted use
    - practical use
    - previous use
    - prior use
    - prior use of invention
    - prior public use
    - public use
    - secondary use of a mark
    - secret use
    - token use
    - unauthorized use
    - unlawful use
    - unlicensed use
    - unrestricted use
    - verbal use

    Patent terms dictionary > use

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